Sunday, August 22, 2010

LORENE TAUREREWA


LORENE TAUREREWA's works are phenomenal. Colossal & petite figures beckon, drawing you into the space. 'Otherworldliness' as one writer commented, is befitting of Lorene's art. This is mastery image-making & I feel totally lacking & inarticulate when it comes to describing Lorene's work, so lets leave it to those many writers who have given her rave reviews. I feel transported when I look at her drawings & paintings.
Another fellow graduate of the Quay School of Arts, here in Whanganui, Lorene has gone on to have many solo shows & is now successfully working in New York.


AWARDS
2009 Creative New Zealand: Arts Council of New Zealand: Grant recipient
2006 IASK Residency: The National Artists Studio: National Museum of Contemporary Art, Seoul, 
2006 Martin Hughes, Contemporary Pacific Art Award, Supreme Winner, New Zealand
2006 Creative New Zealand: Arts Council of New Zealand: Grant recipient
2004 Creative New Zealand: Arts Council of New Zealand: Grant recipient

For further information re: exhibitions & dealer galleries, please visit her website: http://taurerewa.com/
 

Thursday, August 19, 2010

NIGEL HAMAHONA


Korero for the Taonga Tekoteko | This Tekoteko was the center piece for my recent show

RATA
Materials: Rimu, muka, hawk feathers, Paua, paint, wax

This taonga depicts the ancestor Rata at the moment he was taught how to placate the lord of the forest. The design on his forehead represents the prayers he was taught from the creatures of the forest who also assisted in the construction of his Waka Taua.

The muka and Hawk feathers offer movement in the carving which otherwise would appear static and motionless.

Contact details.

Mobile - 0226410981

Email - nigel1968@slingshot.co.nz





NIGEL HAMAHONA 

Iwi/ hapu: Ngati Kahungunu, Ngati Tuwharetoa

Training: Nigel Hamahona has experience in all aspects of Whakairo spanning 28 years. He has experience in all mediums/styles and has exhibited overseas. He has provided Maori art for corporate functions and public displays.

Nigel was born, raised, and educated in Whanganui. He began his training in Whakairo at Te Aohou Marae Whanganui back in the early 1980s, being taught by Aaron Tearamakutu, and later by Marua Cribb (at Manaakitia Trust), a notable Tohunga Whakairo on the Awa who, amongst other things, taught Nigel how to critique his own work enabling Nigel to give an honest opinion on the work of others.

Upon serving his apprenticeship, he became the first carver to graduate on the Whanganui River since 1911.

He has trained the people of the Whanganui for the past 25 years, both here and in Taumarunui under Hinengakau Development Trust.

His class of 2000 graduated with the highest qualifications (Diploma and advanced Diploma in Maori Art) available at the time. This was also true for the Taumarunui carvers he trained in 2001.

To further his own development, he was invited to enrol onto a pilot course that was teaching the highest levels of Whakairo spearheaded by Dr Pakaariki Harrison QSO and Professor Kereti Rautangata. This is where he became involved with three leading Taa Moko artists, Rangi Skipper, Derek Ladalli, and Riki Manuel and his interest grew from there to incorporate tattooing (Taa Moko) into his business.

It was through this class that he was urged to apply for the “Toi Iho” Mark of Quality and Authenticity (www.toiiho.com), which he gained in 2002.

Nigel’s passion for Whakairo has driven him to start “Authentic Maori Art” of which various clients and galleries are catered for around the world. Nigel exhibits in New Zealand, Australia and the USA and is currently dealing with a gallery in the Netherlands

He works with both traditional and contemporary materials ranging from wood, stone and bone to polystyrene and other man-made media and has also incorporated the art of Maori Tattoo (Taa Moko) into the options offered by Authentic Maori Art.

Vision 
It is my dream to see that every office, home, and school, has at least one Taonga (Treasure) proudly displayed, to inspire and carry the dreams of the viewer.

As a custodian of the art I have a responsibility and an obligation to up hold the Mana (prestige) of Whakairo (Maori art). This is my way of life; it’s more than just an art form, for it encapsulates the very essence of my culture; a culture that must now take its place in the sun. Uniting people through a common understanding of beauty.


Authentic Maori Art creates designs that have been inspired by nature and designs that come to the artist in dreams and visions, thus giving the artist the ability to access both the physical and psychic levels of his being. Making us sensitive to things beyond the natural range of perception.
Form and line that will be left for the viewer to interpret discuss and come to their own conclusion.

Authentic Maori Art caters for shops and galleries both nationally and internationally. A wide range of mediums consisting in part of: wood, stone, bone, synthetic materials such as polystyrene, metals, painting and drawing, pastels and charcoals are used in Nigel’s works.

Shows: Exhibitions and Displays

1. American Indian Community House
Mahatten New York USA 2007/2008/2009/2010

2. Azukarera Gallery
Sugar hill district Harlem New York 2009/ 2010

3. Toi ake Tuwharetoa 2006-2007

4. Holroyd City Gardens, (Merrylands Australia) 2006

5. Wellington Airport Toi Iho promotional display 2006

6. All Taonga for the character played by Cliff Curtis in ‘The River Queen’ 2004 - 2005

7. Botanical Partners on the Mall (Co-sponsored by the Smithsonian Institute) Washington DC, USA, 2004-2005

8. United Nations Building, New York, USA, 2005

9. John Royal Gallery, New York, USA, 2005

10. Toi Iho Expo, Te Papa Tongarewa, Wellington, 2004, 2005, 2006

11. Te Ora Gallery, Wellington, and Queenstown 2004, 2005, 2006

12. Toi Iho Expo, The Totem, Auckland, 2004

13. Taha Gallery, Waiheke Island, 2004-2005

14. School of Sustainable Business Management, Auckland, 2004

15. Whanganui Community Arts Centre, 2004–2005

16. Te Waananga O Aotearoa Exhibition, 2002–2005

17. Whanganui Regional Museum, 1986–1995

 Note: this information was provided to me, not written by me. Immense respect for Nigel for his knowledge & talent as an artist. To carry on the knowledge handed down by our tupuna is an undertaking in this day & age where there are so few practicing kaiwhakairo. We should appreciate & acknowledge those who do so :)

Saturday, August 14, 2010

MAIANGI WAITAI


Maiangi Waitai is an artist/ designer (fashion, jewellery- everything) & has her own fashion label "Who is Dead Martin?".  A graduate of the Quay School of Art, Whanganui, majoring in painting, Maiangi has had several solo exhibitions. What can I say- her paintings rock. They fill you with joy.

Friday, August 13, 2010

AARON TE RANGIAO


Aaron Te Rangiao is a graduate of the Masters of Maori Visual Arts program, headed by Professor Robert Jahnke at Massey University, Palmerston North. Like Nigel, he excels in stone- carving and is an all round sculptor & artist/ designer. Ruaputahanga is a bronze scupture that is now a feature of Taranaki ASB stadium in New Plymouth. Te Rangiao employs multiple references to the wood-carving tradition in his contemporary sculptures by echoing forms found in traditional taonga. His re-introduction of these forms using modern materials is part of a dialogue created by artists leading Maori art out of the fringe of New Zealand art & the archival tombs of our Museums, (which has been happening for at least a decade) largely instigated by the MMVA program & prominent artists such as Jahnke, Cotton (ex-lecturer of Jahnke's visual arts program), Brett Graham, Michael Parekowhai, Lisa Reihana & many others.
Te Rangiao is proficient in his knowledge of surface-carving designs as visual language- a facet that allows him to freely move between contemporary art & design & the creation of traditional taonga. His work is compelling & arresting. Aaron has received a number of commissions for kohatu (headstones) as well as for large public art works.

NIGEL SCANLON


Nigel Scanlon is an artist/ designer/ sculptor with an incredible aesthetic sensibility. He has a natural ability to translate Maori iconography, not just from carved forms but also from raranga & tukutuku forms as seen here with his Waka tiwai, into successful & astoundingly beautiful contemporary sculptural forms. An uri of Whanganui, he is based mainly around Auckland, Waiheke & Raglan. Nigel is a regular at stone symposiums around Aotearoa and recently came back to Whanganui for Te Kahuitanga stone symposium on the Whanganui River bank, organised by long time friend & fellow sculptor/ artist, Aaron Te Rangiao. The symposium was run in conjunction with Whanganui Open Artists studios- organiser, Jo Ockey.
Nigel has attended stone symposiums in Thailand & is the creator of the branding for Primal (popular New Zealand label).

For more information on Nigel, see his website: http://www.nigelscanlon.com/

KORERORERO

I created this blog out of concern for the survival of Maori design, found foremost within the art of carving. I have an interest in how and where these designs (I use the term design preferably over the term 'pattern' as pattern in my mind insinuates a lack of meaning) are used in contemporary design. I want to track the influence of Maori design (if applicable) in the aesthetic of New Zealand design. I will also investigate the appropriation of Maori iconography.